Peace and wassup to everybody reading this. Here’s a quick update on what’s going on in this School of Clint Music Licensing Case Study. Just in case you have no clue on what’s going on, click here. Right now, I am currently gathering tracks that I feel will be ready for music licensing. I’ve learned from the homey Clint that first impressions are everything so I have to make sure when I submit again my chances of placement are better.
WEEK 7
Investigate
I will give you the 1 major key I’ve learned from Clint if nothing else. And that thing is to never hold back. What that means is, stop tryna save your best stuff for later. Put it out there now so it can compete against the tons of other music thats out there. When it comes to music licensing, you should also have a strategy on what and who to submit tracks to. The strategy comes from investigating. It makes no sense to submit hiphop tracks to a tv show that primarily uses classical background music. I guess that’s obvious LOL. But the point is to study and listen to the music on shows that you are interested in getting your music placed with. When you get a good grasp on what kind of stuff is being used, that’s when you submit your music that can compete with the best of them. Remember, don’t hold back.
I’m loving this journey and really appreciate anyone who is following along. As long as you stay the course and don’t quit I believe that we will make it. Congratulations to you if you have music that has already been licensed. Keep it up and let’s keep it going! If you have any questions please comment below. Peace! Check out Previous Week